I always knew embarking on the read a 100 books in a year
game that +Daniel set us upon would include some clunkers and I have hit the
first one on the third try. Thirds a charm is an old aphorism but in this case
the charm is understanding that celebrity will get you further than the average
human when it comes to publishing your writing. Books chosen for their
popularity by the masses are bound to include some terrible choices and it is
no surprise that this is by an author who was well known and loved by the
masses.
Judy Finnegan is known in the UK as one half of the husband
and wife team, Richard and Judy. They have had a long career in TV presenting.
The sort of shows that cater to a gentler and less enquiring mind. Full of
celebrity interviews and self-help ideas that are saccharine filled bursts of
positivity. Judy also a darker side that is one of those terribly kept secrets
in London that no-one mention for fear of a libel case. While I agree the
personal life of humans should be sacrosanct, especially when it comes to
private libations, it is a bit rich when you make your life pouring over other’s
banal details.
Richard and Judy have done well for themselves and were
clever enough to emulate Oprah in the USA and start a book club that has a huge
sway over the UK book buying public. Like Oprah a recommendation from them sees
even the worst books shoot up the best-seller list. They also have a wine club
but enough of her dark side.
I mention their history in such detail to provide an
understanding as to how such a terribly written book ever made it up the UK
best-seller lists. If you go on to their book club website this trite little
tome is shamelessly highlighted and advertised as if it is the must read of the
year. It is a vanity project, which I do not mind at all, but with their wealth
and connections she could have afforded a harsher editor or at least a ghost
writer to turn her idea into a proper novel.
Judy has aspirations of following in the footsteps of her heroine, Daphne Du Maurier and happily she makes no pretence at being anything like her. While I concede there is a tale within the story it is so badly presented and written as to appear like a first draft from a squirming teenager rather than a worldly middle-aged woman. I even get the sense that her editor gave up a bit as in the first third there are clunker words placed inappropriately to give an illusion of a more impressive vocabulary. Sadly they are out of place and the efforts stop, allowing the simplicity of the writing to truly take hold.
When reading a book described as a page turning thriller you
hope for some twist to the narrative or plot but A leads to B and then C as
succinctly as a child drawing a straight line on a connect the dots drawing.
Any drama is raised to the crescendo of a soap opera with character connections
to make Virginia Andrews hide her dead face in horror. The story lurches from
one dramatic moment to the next with long traits of arduous dialogue exposing
the story in a horrendous manner. As I said before a ghost writer should have
helped because there is an idea here that is a nod to her favourite Victorian
writers and she genuinely loves her Cornish setting but oh so trite.
The crux of the story is that Cathy’s best friend, Eloise
has died of cancer after going into remission leaving Cathy bereft. Having
suffered from depression after the loss of her mother, her psychiatrist husband
is overly concerned about his wife’s mental health and then Cathy begins to
experience the ghost of Eloise first in dreams and then in real life. Eloise is
demanding that Cathy help her save her children from a supposed unknown threat
that is flagged up with the subtlety of a red balloon in a field of sunflowers.
Of course everyone thinks she is mad, except for the priest willing to do a
faux exorcism after a cup of tea!!
The dialogue between Cathy and her husband is some of the
worst making him out to be an utter bastard and Cathy to be a pathetic woman
too afraid to argue with him in case he leaves her and she loses her privileged
middle class life. Rather than acknowledge he is a bully who treats her like a
child. In the end he says sorry and they kiss and cuddle and all is well. Not
even Bronte or Du Marier treated their females with such contempt or provide
them with such stupidity.
The only time I connected with Judy’s laments was when she
talked about depression. She has obviously experienced the dark spaces and
spoke of such areas with the voice of a survivor. As a fellow sufferer of the
dark chasm I could fully relate to her description of the aftermath and how
those around you treat you as if you are almost a lesser being. The rest of the
novel was a poor attempt to destroy what could have been a good idea.
I could go on but I believe I have drawn the picture enough.
Some books are page-turners for their gripping prose and a desire to find out
what happens next. I read this in 24 hours as I needed to remove it from my to
do list as quickly as possible. You may already have guessed that I do not
recommend this unless you wish to test the veracity of my opinion.

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